After completing the first leg of our journey and arriving at the Savvis Center in St. Louis, there was no time to spare. We immediately hopped out of the Mobile Bunker, shut of the power inverter, and headed inside to find the will-call line so that we could get our tickets that Alex had pre-bought.
The first thing that I immediately noticed is that all four of us were in a great mood and really excited about the show. It’s not often that a group of four guys can cram into one vehicle for over six hours and come out chipper as a night at the bars. My roommates kick ass.
The next thing we noticed as we started to make our way up to the Savvis Center was what a nice venue that it was. This wasn’t some run down old convention center, but a really high class, modern facility. Checking the place out as we walked up from our $10 parking spot just across the street served only to raise our spirits that this was going to be an amazing show.
We had a little discussion laughing about how the “freaks” were going to be out for this show (Reznor has always had a talent for attracting all the little goth kiddies and counter culture peeps) and while Alex and I were traveling over to the bathrooms Dave and JD started playing “spot the freaks” with the audience. The rules were simple, the first person to spot a “freak” just points at them and says, “Point!”
As Alex and I returned from the men’s room we all went inside to section 103 where our seats were located and started our way up to Row HH. Autolux was already playing and the Savvis Center was pretty close to pitch black after transitioning from the well lighted vendor area just outside the arena. We did our best to find our seats and check out the last two songs from Autolux. They were really interesting and I wish that we would have made it there earlier to listen to more of their music.
After Autolux finished with their set and the lights came back up, we had a great time playing “spot the freak” and just making instant-humor as we always do. Hilarious highlights include commentary over the $8 beers and $7.50 mixed drinks, the freaks of all kinds, and cotton candy vendors. Yeah, that’s right… cotton candy vendors at a Nine Inch Nails concert!
Not long after Autolux was finished and we had inadvertently made friends with most of the concert goers around us do to our humorous comments, an usher came to check our tickets. We had accidental gone to the wrong row. So we scooted back two rows and resumed our freak gandering.
Next up in the show was Queens of the Stone Age. JD and I had talked about QotSA and both agreed that while we didn’t consider the music some of our favorite, it was pretty good and were looking forward to the show. QotSA didn’t disappoint and I was very pleased at the quality of show that they put on. I loved their live sound, even more than a number of their studio tracks, and was very pleased by the amount of improvisation and dynamic experience.
It was at this point in the show that I had an interesting “Boston” feeling. One of the reasons that Leary and I were good friends was a common love for NIN-like music. He was also the one that introduced me to Queens of the Stone Age. During “Taketh Way” (or whatever that song is called) I couldn’t help but thing that Leary would love this concert. It was an interesting moment.
QotSA finished very strongly with an encore that got everyone excited and ready for NIN to take the stage.
The preparations for NIN began with a lowering of a scrim material that surrounded the stage completely. Lots of movement behind the scrim was plainly visible in the light as they moved things around and then began filling the enclosed stage with smoke from several smoke machines.
As the arena began to darken the energy from the crowd was palpable, and by the time that Pinion began playing to segue into the performance every person was on their feet in anticipation.
My first glimpse of a band member was of Aaron North as he nonchalantly walked across stage with his guitar. It was almost eerie how much he looked like a young Trent Reznor from a distance. His posture and gait strongly reminded me of Trent Reznor’s live performance of March of the Pigs used in the video. Of course, that could be strongly influenced by the fact that we were standing in row HH of the Savvis Center. (It was a great view, but not exactly close.)
After focusing on Aaron it was a few moments before I caught a glimpse of Trent Reznor standing in the center of the stage holding a microphone on a microphone stand. The smoke was almost completely obfuscating, however, and nothing detailed could be made out other than his lack of hair.
But when Pinion finished and the show began with “Love Is Not Enough” from With Teeth it was intriguingly played from inside the “smoke box”.
It’s at this point that I could really go into a detailed description of every song that NIN played during the night, but I think that would be just a little bit too much so I think I’ll just mention some highlights of the show:
- Performer highlights:
- Trent has a shaved head.
- Trent apparently has been to the gym a lot because he’s looking ripped.
- Aaron North is brutal, swinging his guitar like he’s palming a ball and wielding a weapon at the same time.
- Alex Carapetis took over for Jerome Dillion after his health condition appears to have worsened.
- Trent has gotten political. He used to be quite apolitical (perhaps apathetic as well), but his video footage featured a number of strongly politically loaded images. (Excellent!)
- He also appears to be in better spirits and/or good humored. He was sick almost the entire Fragility tour, rarely uttering a word other than the lyrics. This show he was quite vocal with “thank you”s and even cracked a joke before resuming “Starfuckers”. (”I guess we’re in the middle of a song here…”)
- Set list highlights:
- “Closer” and “March of the Pigs” played very early in the set.
- The middle of “Closer” was very modified making for an incredibly unique experience.
- “Burn” (!) was on the set list, a track originally scored for the Natural Born Killers soundtrack.
- “Reptile” from The Downward Spiral was a very unique pick for the set list, seemed to take the place of Piggy from the Fragility v2.0 tour.
- “Eraser” (!) was played to begin the video sequence.
- “Hurt” was certainly a “Quiet” version with the majority of the song played solo by TR on the keyboard.
- “Gave Up” and “Wish” from Broken were present and accounted for to beat the hell out of the audience.
- “Starfuckers” from The Fragile was used as an introduction and thank you segment after the audience was told (when interrupted from chanting “Don’t you!” repetitively like in the Fragility v2.0 tour) that “We don’t do that anymore. That’s so five years ago.”
- Production highlights:
- The three giant screens this year were replaced with a “digital noise” irregularly shaped hanging and protruding screens.
- Video projectors were used heavily for a rear screen behind the stage and also onto the full stage scrim for a massive video presentation.
- Vertical “light bars” were behind the stage for rear-lighting the rear projection screen and later for digital eq-like effects. (Amazingly effective during “Burn”)
- The overhead lighting rig would lower very close to the stage and provide a more intimate almost “warehouse lighting” effect on the stage.
- The video segments of the show were amazingly orchestrated.
I could really rave about this concert until the Internet ran out of bits… but it’s sufficient to say that this was the single most phenomenal event I’ve ever witnessed, and I’m so happy that I attended. I only wish I had enough money to attend another show.
After the show was over, we went down towards the floor to meet with JD’s sister Katie, Laura, and company. We then moseyed over to Katie and posse’s hotel room for some festivities before leaving for Swanie’s house where we were staying.